One of the top Canon lenses for landscape photography, and any genre of the art that encourages you to fit as much as possible within the frame. Combine this with the 50mm 1.4 and you’ll have yourself one super-light travel kit. Nikon has a 135mm lens, but it just can’t compete with this. There’s no fiddly switches to waste your time turning on and off. A 50mm prime lens is perfect for virtually any photographer looking for … Equivalent to 38mm on a full frame camera, it’s the perfect everyday walk around lens, or great for travel due to its compactness. The manual focus ring works as smooth as butter, and the manual-focus system works beautifully. Whilst a 24-70mm Canon lens has slight distortion, this one is really noticeable at 24mm. For APS-C (cropped) cameras, I’d recommend the lens coming up next in this list – it’s super wide and cheap too. What’s most impressive about the Canon 35mm f/1.4 L for a Nikon shooter like me (aside from its price! It’s also compatible with all non-full frame Canon EOS DSLRs, so if you’re shooting on a cropped sensor, this is one handy little lens. {"@context":"https://schema.org","@type":"FAQPage","mainEntity":[{"@type":"Question","name":"What's the difference between EF and EFS Canon lenses? The IS allows for an extra 4 stops, meaning the Canon EF-S 10-18mm f/4.5-5.6 IS STM can be shot handheld even at 1/4 or 1/2 a second. One caveat is that image stabilization doesn’t work as well when the subject is moving. So, onto the Canon EF 85mm f/1.8 USM – what makes this little-known lens such an incredible bargain? On a cropped sensor Canon (EF-S), 50mm translates to around 80mm, meaning the Canon EF 50mm f/1.8 STM becomes one of the top Canon lenses for portrait photography, at least at this price point. Start Exploring! View Details. Remember that whilst I don’t advocate buying camera gear just for the sake of it, a mediocre lens will always hamper the ability of your camera. Ultra-Wide Zoom. However, if your subject is stationary (hello architecture and landscape photographers! There are plenty of great f/1.4 Canon lenses, but 35mm is just such a versatile focal length – you can shoot portraits, landscapes and everything in between… and f/1.4 is plenty fast enough for low light situations, and for blurring the background beautifully. If you can stand back far enough to fit your subject in the frame, 80mm can be equally used for any genre of photography of course. Comparing it to the f/1.2 is like comparing a gun to a bow and arrow. ), is the fact that it exhibits very little distortion – way less than the Nikon 35mm equivalent. It truly is remarkable that a lens that’s over 19 years old can out-perform much more recent ones. As with all ultra-wide angle lenses, you can expect moderate barrel distortion at 16mm, but where this lens excels is that there’s very little distortion from 20-35mm in the zoom range. While Canon's 85mm f/1.2 is also a widely popular choice for portrait photographers, the f/1.8 wins our vote for being lighter, faster and cheaper, while at the same time producing stunning portraits."}}]}. However, once you get used to it, it’s actually a remarkably versatile focal length on a full frame Canon camera. (72 mm), Dimensions (Diameter x Length): 3.5 in. f/2 at 135mm gives incredible subject separation, and as long as you have the space between you and the subject, 135mm makes for a very flattering lens for photographing people. Minimum Focus Distance: … It offers a hugely versatile focal range at a manageable weight, for an affordable price – especially when you consider it as the only lens some people will ever need. Coupled with the close focusing distance of only 0.72 ft (22 cm), you can crop into an image shot with the Canon EF-S 10-18mm f/4.5-5.6 IS STM and still achieve razor sharp close-ups. Despite its small size, the Canon EF 40mm f/2.8 STM features impressive optics which render mind-blowing sharpness, edge-to-edge, even wide open. Type Superzoom. It’s time to bring out the big guns. See your browser's documentation for specific instructions. The beauty of f/2.8 is that you can pretty much get away with shooting it wide open all day long. Can't vouch for it's accuracy. Leave a comment below if you use any of the lenses I mentioned, or if you think I missed any other good ones. the top performance + value for money. Our top pick is the EF 35mm f/1.4 II. OK, with that out of the way, what makes the Canon EF 50mm f/1.8 STM worthy of a spot here? Tokina 11-16mm f/2.8. If you want a cheap and awesome lens, this is the lens for you. So what are the best Canon lenses right now? Auto focus is lightning fast and accurate, and ergonomically this lens feels great attached to even the biggest Canon dSLRs. It works on both EF and EF-S Canon camera bodies, has a fast autofocus and is great value for money. Choose from one of the world’s most comprehensive selection of lenses to capture amazing stills and stunning video with incredible clarity and brilliant colours. The bokeh from the Canon EF 50mm f/1.8 STM when compared to the f/1.2 version is admittedly less creamy (when both are shot at f/1.8), but it’s doubtful that anyone will notice. Once you’ve got your small, lightweight and affordable prime lenses sorted and you want to explore something a little more exotic, I’d recommend investing in some ‘fast’ primes. Weighing a feathery 4.4 ounces and with a total length off the camera of less than 1 inch, this 38mm equivalent lens is a … Javascript is disabled in this browser. For just under $350, you’re getting a ridiculously good portrait lens with un-rivalled sharpness, at half the price of the Nikon equivalent!! Canon EF-S lenses can only be used on Canon APS-C DSLRs. By using the IS, you can expect sharp shots even as slow as 1/2 second… which is frankly ridiculous. From 24-70mm, you won’t be missing any of the action, and when you have a chance to use 70mm, you can still benefit from bokeh to make your subject stand out from the background. The colors are vivid, the contrast is excellent, and the bokeh nicely blurred. If I were a Canon shooter, the Canon 35mm f/1.4 L would definitely be the first lens I bought. I’m fully aware that Canon f/1.2 owners will stop reading right about now. Even though the f/1.2L is an incredible lens, it’s a bit too specialist for this roundup. f/1.8 allows enough light into the camera for low light photography, and if you’ve got a Canon dSLR with high ISO capabilities (such as the Canon 5D Mark IV, reviewed here), f/1.8 will be more than enough for most situations. One word. While this isn’t a professional lens by any means, it’s really an excellent all-around workhorse that takes up next to no space. If you absolutely need the sharpest, fastest (largest aperture, not AF speed) ultra-wide angle lens from Canon, don’t get this lens. With your change, get the 50mm f/1.8 from above, and you’ll be able to shoot anything, anytime. It’s without a doubt a great lens for travel – if you have no need to zoom, I’d actually name it Canon’s top lens for travel. Put a little lens like this on and you just might find yourself bringing your camera with you more often. STM is Canon’s near-silent motor mechanism. (68 mm) x 0.9 in. The 24mm on a cropped sensor comes out to just about 38 mm equivalent on a full frame and is the perfect focal length for walking around town. © 2020 Canon U.S.A., Inc. All Rights Reserved. View All Lenses, Flashes & Binoculars Explore Lenses From telephoto to fisheye — and every lens type in between — switch up your perspective and discover which lens is best suited for your lifestyle and needs. 24-105mm is another focal range that Nikon doesn’t offer. (83 mm) x 4.41 in. The Canon EF 50mm f/1.8 STM is in the latter category, exhibiting stellar image quality whilst being the cheapest Canon EF lens ever made! Let’s deal with the elephant in the room first. With the Canon EF 40mm f/2.8 STM attached to the front of your bulky dSLR, shooting an entire day is a breeze. (88 mm) x 4.4 in. Don’t get me wrong – the Canon 35mm f/1.4L II is an amazing lens. Being able to zoom is useful, but the smaller size, weight and larger aperture of the 135 makes the 70-200 redundant. It is extraordinarily sharp and contrasty, even at f/1.4. All L lenses also produce great colours and contrast thanks to the high quality optics, and the Canon EF 24-105mm f/4 L IS USM is no different. It’s not 100% silent on the Canon EF 40mm f/2.8 STM, but for stills photography, it’s as quiet as it needs to be. Being able to take advantage of the width of 35mm whilst still being able to knock the background into creamy out-of-focus really is useful. I also recommend it to Canon EF-S camera shooters since you can use it on an EF body if you ever choose to upgrade. It’s the lens that tips the camera off balance, requiring your grip and wrist to counteract the tilt. (112 mm), Dimensions (Diameter x Length): 2.95 in. Unless you have a subject in the distance or have the room to move back, 135mm is too tight for most situations. For around a hundred bucks, you’re getting a lens that works perfectly with every Canon EOS camera ever made, i.e. Make sure you check if the lenses are EF-S or EF – the EF lenses can all be used on an EF-S camera body, but not the other way around. every Canon DSLR and every Canon autofocus 35mm camera made since 1987. If you want to know what Canon lenses to buy first, this summary should help: For Canon EF camera owners who want a great all round lens, the Canon 50mm f/1.8 STM is hard to beat. The manual focus override works full time (even in One Shot AF mode). It has excellent corner-to-corner sharpness (especially when stopped up just a bit to f/4), minimal chromatic aberration, and while there is some vignetting, it doesn’t really get in the way. There’s no sharper ultra-wide angle lens for APS-C cameras, and it also adds image stabilization (IS) – a first for any Canon ultra-wide. Just like on the best Nikon lenses post I published recently, this ‘nifty-fifty’ from Canon is first out the gate in this list (If you’re a Fuji shooter, be sure to check out the best Fuji lenses too). The ‘STM’ in the name refers to Canon’s Stepper Motor technology, which provides a quieter and smoother focus system. Don’t get sidetracked by the exotic f/2.8 lenses in this focal range – most photographers don’t need them. Shooting at ultra-wide angles already allows you to use much slower shutter speeds when shooting handheld. Wikimedia Commons has media related to Canon EF lenses. Common pro usage of the Canon EF 24-70mm f/2.8 L II is to use the wider zoom range for a large group portrait, then to switch to 70mm to isolate one of the subject’s reactions within the group. If you’re about to invest in a crop sensor camera from any brand to be used for landscape photography, this is the kind of lens that makes Canon cameras the number one bet. On the downside, f/2.8 doesn’t really give you much subject separation unless you shoot it at around 70mm. Add to Wish List Add to Compare. Spoiler alert: I’m not going to recommend the other 50mm lens that practically every Canon shooter on Shotkit owns, i.e. When shooting at 70mm+, you’ll get great subject separation (and beautiful bokeh) even at f/4. The Canon EF 135mm f/2L USM hasn’t been updated since 1996, but why should it? It’s one of the top Canon lenses for portraits, and is actually great value for money for the kind of image it can produce. It’s known as a ‘pancake’ lens for this very reason. This means, for example, that when Canon introduced IS to lense… Wide enough to ‘fit the whole story in’, whilst still allowing you to take a flattering portrait – just don’t stand too close to your subject. Nor does ‘more expensive’…. It’s also even sharper than the Nikon equivalent. If you’ve got room to move back, 85mm is also a great focal length to shoot group portraits. (75 mm) x 2.83 in. (86.3mm), Dimensions (Diameter x Length): 2.95 in. Sure, Canon’s f/1.2 lenses are awesome, but their size, weight and price make them a little harder to recommend unless you’re a pro. But size, price, and versatility are where the EF-S 24mm f/2.8 STM really shines. What’s the difference between EF and EFS Canon lenses? More importantly, the look of the images produced by the Canon EF 135mm f/2L USM has a certain quality that other lenses simply can’t reproduce. Canon DSLR Lenses. As I said before, I’m rather envious of Canon shooters for this lens…! In reply to jojioshima • Apr 13, ... Canon 6D Mark II Canon EOS M50 Canon EF 50mm F1.4 USM Canon EF 85mm F1.8 USM Canon EF 135mm … If you shoot models in a studio all day long, then fair enough. Any of the recommended EF lenses in this article work well with the EF-EOS R adapter, but it’s the new RF lenses that really make the most of this camera – the Canon RF 50mm f/1.2 and the RF 28-70mm f/2 are the stand-outs, despite being heavy and expensive. ","acceptedAnswer":{"@type":"Answer","text":"Canon EF-S lenses can only be used on Canon APS-C DSLRs. Though it is still a new mount compared to the venerable EF, the options for RF mount are growing quickly and include quite a few lenses of exceptional quality. Where it does slip up a little is in the distortion stakes. At f/1.4, the Canon 35mm f/1.4 L is super sharp and exhibits beautiful bokeh. (You’ll need Movie Servo for the AF.). The image quality is quite fantastic for a $150 lens. STM means that focusing is virtually silent, but more importantly, you’re able to grab the focus ring at any time to make minor adjustments to the auto focus. Sure, f/2.8 offers better low light performance, but the excellent Image Stabilization of the 70-200m f/4 should still get you out of trouble after dark. The unmistakable white-barrelled L-series zoom lenses side-line sporting events around the world; super-fast f/1.2 primes line wedding photographers’ camera bags; every YouTube vlogger has a wide-angle zoom attached to the front of their DSLR… Canon lenses are literally everywhere. To make matters worse for its competitors, Canon’s best lenses are often available for cheaper than counterparts, sometimes by as much as a few hundred dollars. At less than an inch tall, the Canon EF 40mm f/2.8 STM looks like an over-weight lens cap. As far as focusing is concerned, while not as fast or quiet as some other lenses with the STM (stepper) motor, the autofocus still does an admirable job, even in lower light situations. Before you get too bogged down in the Canon lens reviews, it’s important to understand what all the letters in the lens name mean. Canon 35mm f/1.4 L. Compatible Format: EF, EF-S. Diaphragm Blades: 8. Sigma has tried to fill the gap, but it falls short of this Canon version. I hope you enjoyed this roundup of the best lenses for Canon cameras available in 2020. Canon EF-S shooters can still benefit from the two above zooms, especially if you need some extra reach (with the 1.6x crop factor). On a cropped sensor Canon dSLR, 85mm translates to around 136mm – no longer a versatile focal length perhaps, but still excellent for portraits. 8-15mm. SLOW. Attaching it to the front of your Canon dSLR will bring a smile to your face – at only 0.29 lbs. Yes that’s right, I’m recommending the older Canon EF 24-105mm f/4 L IS USM as opposed to the newer v.II of this lens. In fact, depending on which APS-C camera you’re shooting with, your camera + lens will fit in pockets you’d previously never dreamt of getting your camera into. At less than $300, the Canon EF-S 10-18mm f/4.5-5.6 IS STM delivers enormous bang for the buck. ","acceptedAnswer":{"@type":"Answer","text":"For the best all-purpose zoom that will serve you in the greatest number of situations, we'd recommend the Canon EF 24-105mm f/4 II. If you use on-camera flash a lot, the 24-105mm zoom range actually matches the zoom range in E-TTL mode, meaning that the flash zooms to match the lens. Dslr camera bodies can all deliver excellent results, no one buys an f/2.8,. Anything, anytime focus ( which again, works excellently ) have in a studio all day.... Shooting it wide open the images it produces are razor sharp 113 mm ), f/4 is fine... 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